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The Boy and the Beast

American animated films tend to be formulaic slapstick. Of course this is Disney’s fault, but it’s also because we consider cartoons to be “for children,” therefore they must be easy to grasp and funny and sentimental. I would argue American animation labors under the same existential curse most adolescent entertainment does: sarcasm and narcissism disguised as a…
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The Lobster

If you could be any animal, what would you be? That’s the question that will be zinging around your brain as you watch The Lobster. Perhaps it’s the first time you’ve given it serious thought. Not so for the inhabitants of this dystopian universe. In the world of The Lobster, society is so obsessed with…
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Carol

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Her

The film opens with a man’s voice. It’s a sincere voice, affectionate, sensual yet caring. The camera slowly pans over the man’s face, and he’s reading an intimate letter, a letter that (we assume) is written to the person he loves. The man’s words are tender and earnest, and it is instantly familiar and soothing…
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Oscars 2016 – Who Should Win (Part Two)

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Gone Girl

If you’re into a psychological thriller of the kind to make Hitchcock happy, then consider Gone Girl for a cold, late winter’s night film. A chill and a thrill. The thrill is in following the character development of characters who are more mysterious (even to themselves) than may meet the eye. Mysteries within mysteries. The…
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Groundhog Day

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Brooklyn

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Moulin Rouge

Moulin Rouge is the most spectacular and visually overwhelming musical I have ever seen. Somehow, Baz Lurhman, the writer and director, has crafted a sensory overloaded musical, filled with mash-ups and covers about of all things love, and yet it avoids a trite, sappy feel, mainly by ending up as a tragedy. Here lies the…
