Author: Jason Thompson

  • Suburbicon

    Suburbicon

    Suburbicon’s depiction of the 1950’s portrays an iconic American vision beneath the subterfuge of which lie corruption and moral decay. An uneven blend of social commentary and pulp fiction, the film attempts to connect two unrelated narratives by employing the visual motif of a fence that separates the homes of Gardner Lodge and Mr. and…

  • Mother!

    Mother!

    Darren Aronofsky’s Mother! abounds with religious metaphors as well as social commentary via cryptic symbolism impossible to definitively decipher. A mishmash of surreal imagery combines with increasingly compounding absurdity that drives our extremely visceral experience and nearly plot-less depiction of a woman’s gradual psychological unraveling as she struggles to restore her idyllic rustic house after…

  • Logan

    Logan

    When the 10th film in which Hugh Jackman portrays the Wolverine opens, we find a washed up version of the super mutant asleep in the back of a vehicle we presume he drives as part of his chauffeuring gig he has undertaken as he assumes a new life under the radar. Logan crosses back and…

  • Sing

    Sing

    Buster Moon desperately wants to save his theater… and himself. When he was a young koala, his parents took him to see a stage production in which a sensational Suffolk sheep named Nana Noodleman (voiced by Jennifer Hudson) sang about “finding a way home…” and “carrying a weight” as she performed a graceful, operatic rendition…

  • 13th

    13th

    Social justice advocate and attorney Bryan Stevenson has stated that Americans need to greatly challenge the present narrative on race that has historically informed the way our criminal justice system functions primarily with regard to the imbalanced and disproportionate imprisonment of people of color (particularly males). Stevenson, author of the bestselling nonfiction work A Just…

  • Queen of Katwe

    Queen of Katwe

    Disney’s Queen of Katwe remains within the tradition of unintentional Christian filmmaking that prefers subtle nuances and unspoken demonstrations of conviction over tired clichés, recycled tropes, wooden characters, and soap-boxy platitudes positing overly simplistic answers to the complexities of life lived in a fallen world. In veteran director Mira Nair’s vision, we see strands of…